Peter Maly always succeeded in combining design and interior architecture. He used to see the product in context. Thus he was – and certainly still is – far ahead of many colleagues.

I force the natural charm of lumbers by creating contrasts using exciting details. The bench “Gerrit” has a sculptural character and at the same time comes up with technique: it swings like a cantilever chair. Curiosity is – once again – aroused by its historical surface treatment – scrubbed. My passion for unusual lumbers, as in the Tutti-Frutti collection in 2008 or now by the inclusion of pear, elm and wild cherry, are taken up gratefully. For the German’s most popular lumber – oak – I will create new connections in the future. The “bourgeoisie-look”, stain P43, has been history for a long time.

The “Mueslis” loved softwoods, which are not really charming. The new solid wooden furniture are made from finest lumbers having real sexappeal. You can create elegant shapes, because this material can be processed quite differently. Moreover, the contemporary architecture with its sober materials such as glass, cement and steal, is yearning for an antipole. Here the best cold-warm-contrast is constituted by solid wooden furniture with its natural charm and its exclusive comfort.

My collection will also work with origin materials: Oiled raw steel or stainless steel in combination with wood. Wood being interpreted in a modern rustique way. Oiled and scrubbed surfaces, oak with knots and black walnut laminated with sapwood. Due to the separation of table top and bases, now every client can find the right table more easily.

 The mentioned dialoge is very important for me. Here I can, so to speak, test all prototypes. Talking to clients quickly makes clear, which strengths and weaknesses a model has. Moreover I get to know which trends are effective in the target group.

There is a wave of trust reaching us by asiatic clients. “Made in Germany” is a characteristic with an excellent image, that has already been a door opener for us.